Áine Phillips
Áine Phillips makes performance and video art in Ireland and internationally. She is involved in artist led projects and curates live art events in Ireland. Her work aims to link autobiographic themes, actions and images with wider social and political realities.

This site contains folders of PERFORMANCE WORKS 2000-2009
including images, descriptions and texts

NEW PERFORMANCE: 20th February 2010
Stanley Picker Gallery London
"...Louder than Bombs" Art, Action & Activism

Documentation of Performances on Youtube
www.youtube.com/ainephillips

DVD Live Autobiography is available for sale on Unbound online shop for Live Art books & DVDs at the Live Art Development Agency's website:
AinePhillips@Unbound

BIOGRAPHY:
Áine Phillips has been exhibiting multi-media performance works in Ireland and internationally since the late 80's. She has created work for diverse contexts; public art commissions, the street, club events and gallery exhibitions including Judith Wright Centre for Art, Brisbane Australia, Tanzquartier Vienna, Moving Image Gallery and The Kitchen New York, National Review of Live Art Glasgow, Mozovia Art Centre Warsaw Poland. In Ireland at the Irish Film Centre, Arthouse, EV+A Limerick, Galway Arts Centre and the Hugh Lane Gallery Dublin. She is involved with artist led initiative Live@No.8 in Galway, a monthly screening of live and video art and she curated Tulca Live 2005-2007, festival of live and video art in Galway. She completed her practice based PhD at the National College of Art and Design Dublin in January 2009 entitled Live Autobiography. For more information on the scope for the project see
ainephillips-autobiograph.com

Lois Keidan Director of the Live Art Development agency in London:
"Áine is making some of the most mature, intelligent and accomplished work imaginable dealing with complex and important issues such as motherhood, gender, belief and responsibility. Few other artists have her depth or her rigour or are able to address such complex ideas in simple and highly accessable ways." 2003

"Phillips’s performance of this text brought us through the intricacies of passion and seduction with the precision of a military operation.. The action was simple and beautiful and the purity of this gesture compared with the formality of the text."
Michelle browne, Circa Spring 2009 The Art of Love